Hasui's "Azuma Gorge" - One Print - Two Dates of Origin?
Usually a woodblock print carries the date of its creation in its margin, giving us clear proof when the print was designed or the
blocks got carved. However, surprisingly we have found an example where one and the same exists in two versions with different
dates, in our case "Showa 18" (1943) and "Showa 22" (1947), separated at least by a time span of four years.
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The print is by Kawase Hasui and shows the beautiful autumn landscape of the Azuma Gorge, deep blue running water, framed by
yellow and red autumn leaves. Narazaki as well as Merritt & Yamada both date this print back into 1943 (Showa 18).
Surprisingly the very same prints exists in a "later"
version (right image). Now it is dated "Showa nijuni nen saku" -- "Made
in Showa 22"
(1947). The printer seal is not present, only the 6mm
round seal gives evidence of the Watanabe publishing house.
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The earlier edition (left image) is dated "Showa juhachinen saku" -- "Made in Showa 18" (1943). In addition, a boxed seal of the printer "Suri" Ono Gintaro, one of Watanabe's master printer is stamped onto the margin, furthermore, a round black 6mm Watanabe seal is in the lower left corner within the imprinted area. It is known that Ono's printer seal (known as an "I seal") was in use during and shortly after the War instead of a Watanabe publisher's seal.
The round black 6mm Watanabe seals in the left lower part of both prints are hardly visible against their dark backgrounds. |
Showa 18 |
Showa 22 |
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It is not clear whether for both editions an identical set of blocks was used. The missing of fine strong lines, slightly different coloring
schemes makes an exact and reliable comparison very difficult. However, at least we can say that the keyblock and probably some
others were the same.
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In both cases the keyblock shows a slight damages, e.g., here at the left margin a part of approx. 2mm is missing, an indication that the keyblock for the Showa 18 and Showa 22 edition is the same except for the writing. |
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The fine details, printed in grey / green seem to be identical, although the block of the Showa 22 edition shows some wear already. The "registration" of the blocks is poor in both cases. |
Showa 18 |
Showa 22 |
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(Photos of the Showa 18 version are courtesy of Mr. Nakajima of Shobisha, Tokyo.)
At this time, we do not know the background of this finding, therefore, any input which helps to explain this mystery would be appreciated.